"Predictions of Fire is certainly the most provocative feature film I saw during the market."
-- Gary Crowdus, editor & publisher, Cineaste, New York City, Sept. 1995

The first screening of Predictions of Fire took place on September 21st, 1995 at the 17th annual Independent Feature Film Market at the Angelika Film Center in New York City. The response to the film was quite good; among other expressions of interest, including an offer of theatrical release in New York, Predictions was invited to next year's Sydney Film Festival.

IFP Catalogue Description

In the early 80's, an industrial rock band named Laibach emerged out of the tiny Yugoslav republic of Slovenia. Incorporating what many took to be fascist imagery in their performances, they shocked this tiny Balkan republic and, after signing a recording contract with London's Mute Records, went on to shock the rest of the world as well.

Laibach was soon joined by a painting group, Irwin, and theater group, Red Pilot, at the helm of one of the most ambitious and controversial arts collectives in the world. Modeled after a socialist state bureaucracy and calling itself Neue Slowenische Kunst (New Slovenian Arts, or more commonly NSK), these three groups became the titular heads of a micro-state within the newly independent republic of Slovenia. NSK recently began issuing its own passports and opened embassies and consulates in Moscow, Berlin, Ghent, Florence, and soon, in Beijing.

Although Predictions of Fire documents the work of the NSK collective, positioning their work within the history of ex-Yugoslavia, the film emerges as more than an arts documentary. Predictions of Fire offers surprising insight into the current Yugoslav conflict and the ongoing trauma experienced by generations of Eastern Europeans raised in totalitarian regimes.

Three years in the making, Predictions of Fire is a co-production of New York-based Kinetikon Picures and TV Slovenia, and was filmed in Slovenia, New York, Moscow, Athens, Greece and Belgrade, Serbia. Additional funding was received from the New York State Council on the Arts.